Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Friday 25 June 2021

ARE PHYSICAL BOOKS STILL RELEVANT TODAY?

“In the age of technology, if you don't adapt you'll be obsolete,”
 Well, they might have been right in a vast number of areas but is it true when it comes to the world of books? While the radical and rapid growth is so obviously apparent in major fields like education, communications, gaming, and so on, surprisingly enough, physical paper books have been able to hold tight. It is a fight that they have been able to win and retain even with the introduction of a much more portable, mobile device which can hold thousands of books. So why are physical books still relevant today? What is their secret? 




You just can't beat the feel and smell of a book 


Ebooks might seem to be a more attractive than owning thousands of books what with their backlights, changeable font sizes, and light-as-a-feather weight, however, physical books still seem to have the hearts of millions simply because... they smell nice.

No doubt there are billions of people who choose to own these little devices to hold their books, but there are as many or even more people who still wish to hold a book in their hands. Statistics show that physical books are still being sold more than Ebooks and the number one cited reasons for preferring books? That hard to describe yet soothingly familiar smell as you stick your nose between the pages.






Even with the advancement in technology physical books still seem appealing because of their texture as you hold them in your hand, the movement as you turn each page. We human beings are constantly hanging on to things. Physical books are tangible and metaphysical representations of one’s thoughts. It merely does not sit on a shelf as a decorative item but it also holds sentimental value. It’s a romance of sorts, the entire affair from beginning to end. You visit the brick and mortar building to make your purchase, you peruse over the books until you find the right one for you. You take it home and cozy up in your favourite nook. It essentially becomes your best friend for the duration of that read. The times you held your breath while you turn the page to learn if the protagonist lives or dies, the smell of the fresh or even twice loved books all of it seems to be a cathartic experience. You read it for the story but you go back again and again for the whole, immersive experience. 


They never die
 

Although the manufacturers may boast about their longer and longer battery life, books can boast an indefinite one. The book you are reading could have been read by others and passed down for generations, or swapped in cafes around the world, in the hands of people you have never met yet share that same connection. You can take them in the pool and they won't be in any danger of splashes. You can leave them out in the sun and the most damage they will receive is a bit of fading on the cover. You can drop them with the only worry being that you've lost your place on the page. Yep, they're immortal all right, and that's hard to beat even if the rival is a technological marvel.


You'll take more notice if it's a physical book  

 
Yes, really! A study reported in the Guardian last year found that Kindle readers had more trouble recalling details about a mystery novel than readers of the exact same novel in print. It is suspected that ebooks push the reader to skip pages and 'skim' past important parts of the story, whereas a paperback book demands more respect and encourages you to slow down, get immersed and take much more in.


The beautiful art

 



I couldn't write this article without mentioning one of my favourite parts of a book; the illustrations. Whether that's the unforgettable cover art that might be the very reason you picked up the book in the first place, or the incredibly detailed pictures inside takes you back to the books of your childhood when you spent hours pouring over them looking for all the little details and hidden characters. Of course, ebooks can also display the illustrations on their screens, but it's far from the same experience. They are often small, and most of them are only grayscale so they cannot show off the brilliant colours. In addition to that, they are not the intended output when the artist was drawing them, so they may not fit on the screen properly or display double page illustrations. In short, they just do not compare to physical picture books.


The kids love 'em

 

That's the only reason some need to choose physical over digital. Children simply love turning pages, carrying their favourite book to bed, pointing at their printed friends with sticky fingers. Do your children feel that connection with a screen?


There are many more years to go in this war of Ebooks versus traditional books I'm sure, but for now, it is our bulky, dusty, stained physical books that stand defiantly at the number one position.

Monday 18 June 2018

Everything you need to know about ISBN numbers

As if self publishing your own book wasn't hard enough - at some point you have to think about ISBN numbers. These confusing collection of seemingly random digits are more important than you think, so I've broken down everything you need to know in a complete, comprehensive guide.

Let's start at the beginning...

What is an ISBN?


ISBN stands for International Standard Book Number. They were 10 digits long, but since 2007 they are now always 13 digits long. While they may look random, they aren't at all and are made using a specific formula that makes them unique to each book.

From here on, we will be referring to the numbers as 'identifiers', because each number identifies something about your book. Bookstores, libraries, publishers and any other buyers use these identifiers to find your book and quickly find out more information they might need.

Each ISBN is split into 5 parts, sometimes separated visually by a hyphen. 
  • The prefix "978" or "979"
  • Country identifier
  • Publisher identifier
  • Title identifier
  • Check digit

You might have seen ISBN numbers that don't quite follow this structure. In those cases, the ISBN numbers have been purchased in bulk, 10,000 or more at a time. Big companies like Amazon do this to redistribute to their clients who self publish through them. The identifiers are the same, but refer to Amazon's details rather than the details of each single book. Buyers can immediately tell by looking at the ISBN whether you have bought the ISBN in bulk as part of a large company, or if it was a single purchase and you are a self publisher. 

Now you know what an ISBN is, the next question is;

Should I buy an ISBN?


There are different options when it comes to ISBNs.


  • Use an ISBN assigned by your publisher 
  • Buy an ISBN yourself
  • Buy a universal ISBN
Each method has it's own pros and cons. To see which one will work best for you, take a look at this breakdown below.

Assigned ISBN from your publisher

Online publishers such as Createspace give you the option to use one of their assigned ISBN numbers. This is often free, or at least the cheapest choice. However you may be limited to where you can distribute your book. The imprint will appear as 'Createspace' rather than your own name. You cannot transfer this ISBN to another publisher if you leave Createspace. If you don't plan to distribute outside of Createspace then this may be a good budget option for you.


Buy your own ISBN

Used by serious and professional authors, this option offers more flexibility than using an assigned ISBN. Your name will appear as the publisher and you can distribute to more channels. If you move to another publisher however, you will have to get a new ISBN


Buy a universal ISBN

Similar to buying your own ISBN above, this option also allows you to have your own name as publisher and distribute to more channels, but furthermore, with a universal ISBN you can move to another publisher and keep the same ISBN.

This option is the most expensive, costing around £90 or $99 USD
You might ask; 'What does it matter if Createspace are listed as the publisher?' Well, you might not mind, but bigger bookshops will not stock books that are listed as published by Createspace. If you're seriously trying to become a best-selling author, using an assigned ISBN could hinder you. 
It's worth noting as well, that you need an ISBN for each format of the book you are publishing, even if it is the same title. Here are some common scenarios which would require a new ISBN.

You add a hardback version = New ISBN
You added a page = New ISBN
You changed the title = New ISBN
You change the price = Same ISBN
You translate into a different language = New ISBN
You correct a spelling error = Same ISBN
You print a large-print format for blind readers = New ISBN

eBooks technically aren't required to have an ISBN number, yet you can still have one if you think you would benefit. They not only give the impression that you are more professional, but also make it easy for resellers and buyers to identify your book and it's details. Some big bookstores will not list your eBook on their site unless it has an ISBN.


Where do I buy my ISBN?


If you choose to use the assigned ISBN, Createspace will offer this when you create your title. But for the other options, you can buy them directly through the only companies who control them; Bowker in the US, and Nielson in the UK.



There are a plenty of third party sites who sell ISBNs, but I would steer clear of them. Not only do they cost more money, but you do not know what identifiers they are really using.

It's also good to know that not only can you save money buying the ISBN numbers directly, but you can get a good discount by buying in bulk too.

Where does my ISBN go?


Now you have your ISBN, you'll want to use it of course! 

Your ISBN should appear on your barcode. When you bought your ISBN they will have provided it as a barcode, so use this file to place onto your book cover. (Or give it to your designer for them to place)

The barcode should be on the back of the book, near the bottom. There's no point trying to be different and placing it somewhere else or in a weird shape, because all that will do is confuse buyers and sellers, and prevent them from quickly scanning your book for information.

For example, here is a recent book I illustrated, with the barcode placed on the back.



You might also include the ISBN number without the barcode inside the book, on the page with your copyright and legal information, like this;


So that's it! You know know everything there is to know about ISBN numbers and hopefully, you're armed with enough information to start buying yours. If you have any more tips about ISBNs, or would like to ask a questions about them, please feel free to leave a comment and I'll get back to you.



Thursday 28 May 2015

Author Interview - GRANDMA PAINT POT talks about her process, inspiration and hurdles!

Author Interview

Grandma Paint Pot






Grandma Paint Pot (named so by her Grandchildren) was born and raised in South Wales, but now resides in Cornwall which gives her the inspiration for her book series - 'The Sea Creatures'.


A keen writer, poet and outdoor walker; Grandma Paint Pot is a nature lover and this shows in her beautiful writing which features an array of adorable characters from a Selfish Shellfish to a Starfish with a missing leg! 




Thankyou for taking the time to talk to us, can you start by telling us more about yourself?

I’m a mother of three and a grandmother to four lovely grandchildren. I was born and raised in the Rhondda Valley, South Wales. Now, I live in Cornwall, in a caravan. I love to spend time out of doors walking the coastal path and feeling close to nature. I have two Border Terriers - Charles Dickens and Oscar Wilde - and in June will be having a Springer Spaniel puppy. She will be called Lizzie Lou after the heroine in the novel I am currently writing. I have a BA (hons) in Literature and an MA in Professional Writing.

Great names! How did you start writing for children?


I’ve written poetry since the age of thirteen or fourteen. When my children were quite young I started rewriting nursery rhymes such as: What was Humpty doing, sitting on the wall, he shouldn’t have been up there, it was obvious he’d fall... My children attended the Welsh school and had several cousins around the same age. I wrote my first children’s story for them. It was handwritten into a blue scrapbook in the Welsh Language and every character in the story was named after the children. I drew all the illustrations. I have since translated it into English and changed the names accordingly to suit newer, younger family members. I might use elements of it in a future publication.

Do you have a process you follow when writing?

Usually, a germ of an idea might take hold and I play around with it in my head for some time. With my publication The Selfish Shellfish, I was playing around with this title for a poem, focusing on the tongue twisting alliteration. I then thought I could make up some other sea creature characters. When I had several characters the idea grew into something bigger. In my head, each character had a voice.

            I don’t commit anything to paper until I’ve thought out the entire story. Then I write it up, and after that I type it on the computer. More often than not the word count is far too much and that’s when I begin to edit it down and structure it.

What or who gives you inspiration?

Nature is the most inspirational thing there is. I can look at the sea, a river, flowers, trees, the earth, the sky and never fail to be moved. I love watching the birds and animals and life in general. The world seems so simple and straight forward and breathtaking and mysterious. It is lifetime of study.

I admire so many writers but, in my eyes, Julia Donaldson is a children’s writing phenomenon. She creates beautiful characters, beautiful stories, empathetic scenarios and puts them together in verse.

Did you encounter any problems when releasing your books?

As a self-publishing author (as with any author, I suppose) I have to create interest in my book via social media. This is something that causes me a few problems. How to connect with the right people? How to reach people other than friends and family? How to pitch your posts and blog in such a way that will engage and draw interest without coming across as pushy, boring and completely self-indulgent?  

What was the BEST part of releasing your book?

The best part about releasing my books was (firstly) holding a physical copy and then seeing copies on the shelf in bookstores. It gives a wonderful sense of achievement. Also, it’s an amazing feeling when people come up to me and say: my child loves your book. When asked what book they want at bedtime they always want to read The Selfish Shellfish.

...and the worst?


The worst part is facing rejection from some booksellers. It’s tough to take when someone says they don’t want to stock your book - for whatever reason. Some places will order my book for a customer if they ask for it specifically but the chances of that happening is unlikely. As a new, independent author my book needs to be on display to stand any sort of chance in such a saturated market.

It sounds like you love doing what you do! 
What were your favourite books when you were a child?

I grew up in the world of Enid Blyton. I loved everything from Noddy and Big Ears, The Famous Five to Mr Meddles Muddles and Brer Rabbit. But, if I had to pick one book from my childhood, it would be Joanna Spyri’s Heidi. I always wanted to live on top of a mountain, sleep in a bed of straw, eat fresh bread and cheese and run wild all day. It was my kind of heaven.

Do you have a favourite place to write?

I love going somewhere to write rather than staying at home. Often, I write in The Falmouth Hotel. I order a pot of coffee, sit in the window overlooking Castle Beach and write the morning away. This is one of the reasons I set The Selfish Shellfish on Castle Beach and some wonderful illustrations of the Hotel feature in the book.
            I also like to write in cafes or libraries or anywhere I’m not distracted by thoughts of chores I should be attending to.

Finally... 'The big debate'; physical books or eBooks - which do you prefer?

I much prefer a physical book. I buy ebooks for convenience. They make ideal traveling companions and, as I live in a caravan, they don’t clutter up my cubby holes. My books are also available as ebooks for these very same reasons, and because I want to cater for the ebook market. But physical books are special. They are personal and intimate. In my opinion, a person - young or not so young - is more likely to flick back through the pages of a physical book time and time again to enjoy the feel and colour of the book and to linger over the words, and each time the book is revisited they will see and understand something different and gain a bigger picture. 

Thanks for sharing with us Grandma Paint Pot!



Grandma Paint Pot is currently launching her latest book; Stanley Penwellington and the Exploding Seagulls

Until then, you can check out her books below!

The Selfish Shellfish (ISBN 9781781322147) is £7.99 
The Selfish Shellfish ebook (ISBN 9781781322154) is £5.99
Leonard Limpet Lost at Sea (ISBN 9780993090707) is £7.99

Leonard Limpet Lost at Sea ebook (ISBN 9780993090714) is £5.99

Buy from...



Or on sale locally in Falmouth at;


Falmouth Bookseller
The Falmouth Hotel
The Maritime Museum
Cornish Maid, Mawnan Smith
Meudon Hotel, Mawnan Smith

The Kingsley Village
Seawitch Stores, Mousehole
The End of the Earth, Hayle

Visit Grandma Paint Pot and find out more!